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CONTENTS |
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CHAPTER IX. |
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ON CONSTANT TRIADS. |
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Rules for tin- rin|tloyment of vibration-fractions, §§ 94-96—Inversion of intervals, § 97—Definition of a consonant triad, § 98— Determination of all the consonant tonic triads within one Octave, § 99—Arrangement in two groups, § 100—Mutual relation between the members of each group, § 101—Notation of Thorough-Baas, § 102—Fundamental and inverted positions of common-chords, § 103—Effects of Major and Minor chords, § 104.
pp. 187-198 |
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vocal music, § 113—The ' Tonic Sol-Fa' pitch-notation, § 114—Its simple and effective character, § 115—Relation of the physical theory of consonance and dissonance to the {esthetics of Music § 116—Importance of extreme discords; conclusion, § 117.
PP. 199-219 |
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